Seeane in Ghost Where the Female Police Offiers Says She Wont Get Undreessed Again
| | This article is missing information about the film's production. (October 2019) |
| The Wailing | |
|---|---|
 Theatrical release poster | |
| Hangul | 곡성 |
| Hanja | 哭聲 |
| Revised Romanization | Gokseong |
| McCune–Reischauer | Koksŏng |
| Directed by | Na Hong-jin |
| Written by | Na Hong-jin[ane] |
| Produced past |
|
| Starring | Kwak Exercise-won Hwang Jung-min Chun Woo-hee |
| Cinematography | Hong Kyung-pyo[1] |
| Edited by | Kim Lord's day-min[one] |
| Music by | Jang Immature-gyu Dalpalan[1] |
| Production | Side Mirror |
| Distributed by | 20th Century Fox |
| Release date |
|
| Running time | 156 minutes[1] |
| Country | S Korea[1] |
| Languages | Korean Japanese |
| Budget | US$eight 1000000 |
| Box office | US$51.3 million [two] |
The Wailing (Korean: 곡성 ; Hanja: 哭聲 ; RR: Gokseong ) is a 2016 S Korean horror picture directed by Na Hong-jin and starring Kwak Practice-won, Hwang Jung-min, Chun Woo-hee. The flick centers on a policeman who investigates a series of mysterious killings and illnesses in a remote Korean village chosen Gokseong in club to save his daughter. The pic was both a commercial and critical success.[3] [4] [v]
Plot [edit]
After a Japanese man arrives at Gokseong, a small village in the mountains of Republic of korea, a mysterious infection breaks out and causes the villagers to become deranged and violently kill their families.
Ane dark at the law station, officers Oh Seong-bok and Jong-goo are discussing the Japanese stranger when a naked adult female appears in the pelting. They later discover the woman, infected, was raped by the Japanese stranger and was spotted several times naked in different places, has murdered her family. At the crime scene, Jong-goo meets a mysterious immature woman called Moo-myeong ("no name" in Korean), who tells him the Japanese homo is a ghost and the culprit. Jong-goo steps outside to telephone call Oh Seong-bok, and the woman vanishes, and he sees a very scary figure. A local hunter tells them he saw the stranger with glowing red eyes, eating raw venison in the forest.
Jong-goo has similar dreams nearly the stranger and decides to investigate with Oh Seong-bok. They enlist the aid of Oh Seong-bok's nephew, a Japanese-speaking deacon named Yang I-sam. They investigate the stranger'south house when he's out and find pictures of the murdered villagers and their belongings, every bit well as a worship room. The stranger'southward guard dog attacks them and stops when the stranger returns, then Jong-goo and his team get out. On the way back, Oh Seong-bok shows his partner a shoe that belongs to Jong-goo's daughter, Hyo-jin. Hyo-jin grows sick, with symptoms like to those of the other infected. Jong-goo returns to the stranger's house, merely finds the evidence has been burned. Infuriated, he smashes upwardly the worship room, kills the baby-sit dog, and orders the stranger to get out the village.
Jong-goo's family discovers the bloody body of a dead goat hanging in front of their front gate the next day, and Hyo-jin later stabs and seriously injures a neighbor when the family had gone to treat Jong-goo, leaving her alone. Distraught virtually Hyo-jin's vehement behavior and change in wellness, Jong-goo'due south mother in law seeks assistance from a shaman, Il-gwang. Il-gwang says a wicked spirit has possessed Hyo-jin. His exorcism fails. After learning Jong-goo disturbed the stranger, who he says is a demon, Il-gwang prepares a decease-hex ritual and tells Jong-goo he must not be interrupted. At habitation, the stranger performs a ritual at the same time to seemingly possess the body of i of the expressionless victims, Park Choon-bae. Hyo-jin experiences excruciating pain as Il-gwang'southward ritual progresses. Jong-goo stops the ritual and takes his daughter to the infirmary instead. The stranger pulls himself into bed afterwards his own ritual and sees Moo-myeong outside his house.
The following day, Jong-goo gathers his companions to hunt downwards the stranger. As they search his house, they are attacked by the now reanimated corpse of Park Choon-bae, who injures Yang I-sam and gives the stranger time to flee before convulsing and returning to his dead land. They pursue the stranger but lose him at a cliff. The stranger, hiding just out of view, sees Moo-myeong staring at him from afar. Equally the grouping drives back downwardly the mountain, the stranger lands on the windshield. They dump his body off the cliff as Moo-myeong watches from to a higher place. Jong-goo returns to notice Hyo-jin has seemingly improved.
Il-gwang drives to Jong-goo's, where he encounters Moo-myeong and vomits blood. Il-gwang runs to his room and lights a candle, merely it extinguishes and he gets very scared and flees the town and heads to Seoul. Nevertheless, he then turns back and calls Jong-goo to warn that Moo-myeong is the real demon and the stranger was a shaman trying to terminate her, but he doesn't pick up the calls from him. Meanwhile, the wounded Yang I-sam receives news that Oh Seong-bok has killed his family unit, at the same time that Hyo-jin then disappears. While searching for her, Jong-goo meets Moo-myeong, who claims the stranger is still live and she has set a trap for him, just it will fail if Jong-goo goes home before the rooster cries three times, and Hyo-jin will kill anybody. Moo-myeong says Il-gwang is a mere pawn of the real demon. Confused, Jong-goo asks her if she is a human or a ghost. She gives a cryptic answer. Jong-goo notices she is wearing the personal items of the victims, including his daughter'south hair pin. Believing this to exist proof she is responsible, he dashes habitation earlier the third cry of the rooster. The moment he crosses his threshold, the floral trap set by Moo-myeong withers.
Yang I-sam returns to the stranger'due south house with a sickle and a cross. He finds a secret cavern nearby and the stranger alive inside. He asks the stranger near his true form and says he thinks the stranger is the devil, simply if he's wrong, he'll leave him in peace. The stranger laughs maniacally and says he is the 1 who won't let him get out. He photographs Yang I-sam while asking why he still doubts the stranger's identity. Equally Yang I-sam stands frozen, the stranger changes into a demon and taunts him.
Back home, Jong-goo finds Hyo-jin has brutally murdered their family unit. He tearfully calls out to her, simply she doesn't respond. It is unsaid she ends up attacking him also. Il-gwang arrives and takes photographs of Jong-goo's dead family as Hyo-jin sits in a trance. Returning to his car, he unintentionally drops a box filled with photos of the murdered villagers that the stranger claimed to have burned. As Jong-goo lays dying, devastated by his family unit'southward expiry, he remembers happier times with his daughter and begins to smile, assuring her that he will protect her.
Deleted catastrophe [edit]
In a deleted scene happening right after the conclusion of the story, the Japanese man is seen sitting on a demote by the roadside. He spots a family unit on the other side of the route and invites a kid to him by offering her candies, but the mom picks up the child before she manages to reach the stranger. A auto driven by Il-gwang arrives and picks up the Japanese man earlier leaving. In the center of the road, Moo-myeong witnesses the car fading away in the horizon.
Cast [edit]
- Kwak Do-won as Jong-goo, policeman and begetter of Hyo-Jin.
- Hwang Jung-min as Il-gwang, a shaman hired to protect the village.
- Chun Woo-hee equally Moo-myung, the woman in white.
- Jun Kunimura equally a Japanese stranger.
- Kim Hwan-hee as Hyo-jin, Jong-goo'southward daughter
- Her Jin as Jong-goo's mother-in-law
- Jang And so-yeon equally Jong-goo'due south married woman
- Kim Do-yoon as Yang I-sam, a Japanese-speaking deacon
- Son Gang-guk as Oh Seong-bok, Jong-goo'due south police force partner
- Park Seong-yeon as Kwon Myeong-joo
- Kil Chang-gyoo as Park Choon-bae
- Jeon Bae-soo as Deok-gi
- Jeong Mi-nam equally Heung-gook
- Choi Gwi-hwa every bit Byeong-gyoo
- Baek Seung-cheol as Friend
- Kwon Hyeok-joon equally Friend
- Park Chae-ik as Friend
- Kim Gi-cheon equally Acceleration captain
- Yoo Soon-woong equally Main of law
- Jo Han-cheol equally Detective 1
- Kim Song-il as Police
- Bae Yong-geun as Constabulary
- Im Jae-il as Constabulary
- Lee In-cheol as Father
- Jo Seon-joo every bit Bar hostess
- Lee Chang-hoon as Doctor
- Kim Ji-won as Nurse
Release and reception [edit]
Release [edit]
The Wailing was released in Republic of korea on May 12, 2016.[half-dozen] The picture was shown in the Out of Contest section at the Cannes Flick Festival in France on May xviii, and was released in the United states of america on May 27.[6] The pic was then released on Netflix at a subsequently engagement, though it has since been taken off the streaming service. The Wailing was released on other streaming services like Fandango Now, VUDU, Hulu, and Apple Goggle box.[7]
Critical response [edit]
The Wailing received widespread critical acclamation. On review aggregator website Rotten Tomatoes, the film has an approving rating of 99% and an average rating of 8/10, based on 82 disquisitional reviews. The site's critics consensus reads, "The Wailing delivers an atmospheric, cleverly constructed mystery whose supernatural thrills more than justify its imposing length."[viii] On review aggregator website Metacritic, the film has a weighted average score of 81 out of 100 based on nineteen critics, indicating "universal acclamation".[ix]
Jada Yuan of Vulture.com described the film every bit "operating on a level that makes nigh American cinema seem clunky and unimaginative".[10] Anton Bitel of Little White Lies commented "Past turns funny and despairing, this village noir brings the horror of uncertainty."[eleven] Leah Pickett of Chicago Reader stated "the film justifies its ballsy length, meshing ancient east Asian mythology and rituals (village gods, exorcisms by shamans) with more recognizable horror tropes (demonic possession, zombification, the devil represented past a black dog and rams' heads) in a way that feels novel and unpredictable. The actors are uniformly strong..."[12] Phil Hoad of The Guardian wrote "The layers of dissembling and self-dissembling pile up and so thickly that not simply does Na plain touch something integral about the nature of evil, but really seems to exist in the procedure of summoning it before your eyes."[13] Financial Times's Nigel Andrews wrote "Very crazy, very Korean, very long: 156 minutes of murder, diabolism, exorcism and things that go bump by twenty-four hour period and night".[14] Clark Collins of Amusement Weekly gave the film B+ grade, stating "Despite its epic length, The Wailing never bores every bit Na slathers his tale with generous supplies of atmosphere and awfulness".[15] Jason Bechervaise of Screen Daily noted "The Wailing is initially set up as a thriller and the supernatural setting also helps deliver moments alike to a horror feature, particularly when a strange woman (Chun Woo-hee) get-go appears. Merely the film'due south gradual progression into something more sinister puts a unlike spin on Na'southward masterful employ of pacing".[16] Jacob Hall of /Film commented "The Wailing equally information technology exists would involve burning the very structure of a traditional western movie to the ground. Information technology's why the motion-picture show is so keen and information technology'southward also why a remake seems so foreign".[17]
Deborah Immature of The Hollywood Reporter added "As night and pessimistic every bit the rest of S Korean thrill-principal Na Hong Jin's piece of work, The Wailing (Goksung, a.k.a. The Strangers in France) is long and involving, permeated by a tense, sickening sense of foreboding, yet finally registers on a slightly lower key than the managing director's acclaimed genre films The Chaser (2008) and The Xanthous Body of water (2010), both of which also got their start in Cannes."[18] Maggie Lee of Variety noted "There's aught scarier than not knowing what you should be scared of. "The Wailing" erupts with a string of gruesome deaths in an insular village, but the investigation unleashes a greater terror — that of the paranoid imagination."[19] David Ehrlich of IndieWire stated ""The Wailing" boasts all the tenets and tropes of a traditional horror motion picture, merely it doesn't curve them to the same, stifling ends that define Hollywood's recent contributions to the genre. The film doesn't use sound to telegraph its frights a mile away (there are no jump scares, here... well, maybe one), nor does it build its scenes effectually a single cheap thrill. On the reverse, this is horror filmmaking that'due south designed to work on you similar a virus, slowly incapacitating your defenses so it can build upwards and do some real harm. There's a looseness hither that's missing from mainstream American horror, a sense that absolutely annihilation can happen side by side (and ever does)."[20] Aja Romano of Vox gave the film four points out of five, stating "The Wailing is the most unsettling Korean horror motion picture in years, but it offers more than chills than answers."[21]
Lincoln Michel of GQ wrote "At but over two-and-a-half-hours long, The Wailing definitely takes its fourth dimension, however you could never draw information technology equally a ho-hum fire. This is a horror film that jumbles up ghosts, zombies, body horror, Eastern exorcism, Christian mythology, demonic curses, creepy children, and a lot more into one sustained narrative. This clarification may brand it sound like the movie is a messy mash-up, simply director Na Hong-jin ties it all together seamlessly. Instead of being a mess, the combination of tropes makes each individual one feel both fresh and terrifying."[22] James Hadfield of The Nippon Times gave the movie four stars out of five, writing ""The Wailing" veers from law drama to ghost story to zombie horror and back once more, while tossing a generous helping of shamanism and Christian symbolism into the mix. At times, it resembles "The Exorcist" transplanted to the South Korean countryside; at others, it's closer in tone to "Memories of Murder," Bell Joon-ho'south masterful, slow-called-for serial-killer drama".[23]
Awards and nominations [edit]
| Year | Award | Category | Recipient | Upshot |
|---|---|---|---|---|
| 2016 | 25th Buil Film Awards | Best Film | The Wailing | Nominated |
| Best Managing director | Na Hong-jin | Nominated | ||
| All-time Actor | Kwak Do-won | Nominated | ||
| Best Supporting Actor | Hwang Jung-min | Nominated | ||
| Jun Kunimura | Nominated | |||
| All-time Supporting Actress | Chun Woo-hee | Nominated | ||
| Best New Actress | Kim Hwan-hee | Nominated | ||
| Best Cinematography | Hong Kyong-pyo | Nominated | ||
| All-time Art Direction | Lee Hoo-kyeong | Nominated | ||
| Best Music | Jang Young-gyu & Dalpalan | Nominated | ||
| 37th Blue Dragon Moving picture Awards | Best Film | The Wailing | Nominated | |
| Best Manager | Na Hong-jin | Won | ||
| All-time Actor | Kwak Do-won | Nominated | ||
| Best Supporting Actor | Jun Kunimura | Won | ||
| Best Supporting Extra | Chun Woo-hee | Nominated | ||
| All-time New Actress | Kim Hwan-hee | Nominated | ||
| Popularity Award | Jun Kunimura | Won | ||
| Best Screenplay | Na Hong-jin | Nominated | ||
| Best Cinematography | Hong Kyong-pyo | Nominated | ||
| Best Editing | Kim Sun-min | Won | ||
| Best Fine art Management | Lee Hoo-kyeong | Nominated | ||
| Best Lighting | Kim Chang-ho | Nominated | ||
| Best Music | Jang Yeong-gyoo and Dalpalan | Won | ||
| Bucheon International Fantastic Film Festival | Audition Honor | The Wailing | Won | |
| Best of Bucheon Award | Na Hong-jin | Won | ||
| Fantasia International Motion-picture show Festival | Prix AQCC | Won | ||
| Audience Award for All-time Asian Feature | 3rd identify | |||
| 53rd Yard Bong Awards | Best Movie | The Wailing | Nominated | |
| Best Manager | Na Hong-jin | Nominated | ||
| Best Actor | Kwak Do-won | Nominated | ||
| Best Supporting Actor | Hwang Jung-min | Nominated | ||
| All-time Supporting Extra | Chun Woo-hee | Nominated | ||
| Best New Actress | Kim Hwan-hee | Won | ||
| Best Cinematography | Hong Kyung-pyo | Won | ||
| Best Recording | Kim Shin-yong | Won | ||
| Best Lightning | Kim Chang-ho | Won | ||
| Best Editing | Kim Dominicus-min | Won | ||
| 36th Korean Clan of Picture show Critics Awards | Peak Films of the Yr | The Wailing | Won | |
| Korean Film Actor's Association Awards | Peak Director Award | Na Hong-jin | Won | |
| Top Star Honour | Kwak Practice-won | Won | ||
| Korean Film Producers Association Awards | Best Managing director | Na Hong-jin | Won | |
| Best Cinematography | Hong Kyung-pyo | Won | ||
| All-time Lighting | Kim Chang-ho | Won | ||
| Phoenix Critics Circumvolve | Best International Picture show | The Wailing | Nominated | |
| Sitges Film Festival | Focus Asia Award | Na Hong-jin | Won | |
| Best Cinematography | Hong Kyung-pyo | Won | ||
| BloodGuts UK Horror Awards | All-time International Film | The Wailing | Nominated | |
| All-time Managing director | Na Hong-jin | Nominated | ||
| All-time Actor in an International Film | Kwak Do-won | Won | ||
| Hwang Jung-min | Nominated | |||
| All-time Actress in an International Moving picture | Chun Woo-hee | Nominated | ||
| Molins de Rei Horror Picture Festival | Special Mention | Hong Kyung-pyo | Won | |
| All-time Film | The Wailing | Nominated | ||
| Saskatoon Fantastic Film Festival | Honourable Mention | Won | ||
| CPH:PIX | Politiken'south Audience Accolade | Nominated | ||
| 2017 | 11th Asian Picture show Awards | Best Film | Nominated | |
| Best Managing director | Na Hong-jin | Won | ||
| All-time Supporting Histrion | Jun Kunimura | Nominated | ||
| Best Audio | Kim Dong-han | Nominated | ||
| Central Ohio Motion-picture show Critics Association Awards | All-time Foreign Language Film | The Wailing | Nominated | |
| KOFRA Moving picture Awards | Best Film | Won | ||
| Best Manager | Na Hong-jin | Won | ||
| Seattle Film Critics Awards | All-time Foreign Linguistic communication Flick | The Wailing | Nominated | |
| Korea Cable TV Awards | Cablevision VOD Grand Prize (Film) | Won | ||
| Fangoria Chainsaw Awards | Best Foreign-Language Moving picture | Nominated | ||
| 53rd Baeksang Arts Awards[24] [25] | All-time Film | Won | ||
| Best Director | Na Hong-jin | Nominated | ||
| All-time Actor | Kwak Practise-won | Nominated | ||
| Best Supporting Extra | Chun Woo-hee | Nominated | ||
| Best New Extra | Kim Hwan-hee | Nominated | ||
| Best Screenplay | Na Hong-jin | Nominated | ||
| 22nd Chunsa Film Awards[26] | Best Director | Won | ||
| Best Actor | Kwak Do-won | Nominated | ||
| Best Supporting Actor | Hwang Jung-min | Nominated | ||
| Best Supporting Actress | Chun Woo-hee | Nominated | ||
| Best Screenplay | Na Hong-jin | Nominated | ||
| Technical Award | Jang Yeong-gyoo and Dalpalan | Nominated | ||
| University of Science Fiction, Fantasy and Horror Films | Best DVD/Blu-Ray Release | The Wailing | Nominated | |
| iHorror Awards | Best Strange Horror | Nominated |
References [edit]
- ^ a b c d e f 1000 Lee, Maggie (May 19, 2016). "Cannes Picture show Review: 'The Wailing'". Diversity . Retrieved July 31, 2016.
- ^ "Goksung (2016)". The Numbers. October 21, 2016. Retrieved July 31, 2016.
- ^ Hughes, David (21 Nov 2016). "The Wailing". Empire . Retrieved 20 December 2019.
- ^ Abrams, Simon. "The Wailing motion-picture show review & film summary (2016) | Roger Ebert". rogerebert.com . Retrieved 20 December 2019.
- ^ "The Wailing (2016)". Letterboxed . Retrieved 20 December 2019.
- ^ a b McNary, Dave. "The Wailing". Diverseness . Retrieved 21 December 2016.
- ^ The Wailing (2016) , retrieved 2021-05-eleven
- ^ "The Wailing (Goksung) (2016)". Rotten Tomatoes. Fandango. Retrieved March 22, 2020.
- ^ "The Wailing Reviews". Metacritic. CBS Interactive. Retrieved 2016-07-xiv .
- ^ Jada Yuan (2016-05-26). "No Chicken Is Rubber in the Insane Korean Occult Murder Mystery The Wailing". Vulture . Retrieved 2016-07-14 .
- ^ Bitel, Anton. "The Wailing - review". Little White Lies . Retrieved 20 December 2019.
- ^ Pickett, Leah. "The Wailing". Chicago Reader . Retrieved 20 December 2019.
- ^ Hoad, Phil (24 Nov 2016). "The Wailing review – Korean horror pic takes fear to the brink of an abyss". The Guardian . Retrieved 20 December 2019.
- ^ Andrews, Nigel. "Film review: Creepy/The Wailing — 'Something nasty'". Financial Times . Retrieved xx December 2019.
- ^ Collins, Clark (3 June 2016). "'The Wailing': EW review". Entertainment Weekly . Retrieved 20 December 2019.
- ^ Bechervaise, Jason (xiii May 2016). "'The Wailing': Cannes Review". Screen Daily . Retrieved 20 Dec 2019.
- ^ Hall, Jacob (xx January 2017). "The Wailing Remake Possibly on the Way". /Moving picture. Retrieved 20 Dec 2019.
- ^ Young, Debora (18 May 2016). "'The Wailing' ('Goksung'): Cannes Review". The Hollywood Reporter . Retrieved twenty December 2019.
- ^ Lee, Maggie (19 May 2016). "Cannes Film Review: 'The Wailing'". Variety . Retrieved 20 December 2019.
- ^ Ehrlich, David (23 May 2016). "Cannes Review: 'The Wailing' Is An Ballsy Korean Horror Movie Likewise Crazy For Its Ain Good". IndieWire. Retrieved 20 December 2019.
- ^ Romano, Aja (11 June 2016). "The Wailing is a deeply unsettling horror moving picture, only information technology offers more than chills than answers". Vox . Retrieved 20 December 2019.
- ^ Michel, Lincoln (October vi, 2018). "This Is the Spookiest Movie on Netflix". GQ . Retrieved 20 December 2019.
- ^ Hadfield, James (8 March 2017). "'The Wailing': Spine-chilling in every possible way". The Nippon Times . Retrieved twenty Dec 2019.
- ^ "공유·박보검·남궁민·한석규…백상예술대상 男TV연기상 4파전". Star.mk.co. 7 April 2017.
- ^ "'Guardian,' 'The Handmaiden' win big at Baeksang Awards". Korea Herald. 4 May 2017.
- ^ "'2017 춘사영화상' 나홍진, 최우수감독상…하정우·손예진 남녀주연상". SE Daily. 25 May 2017.
External links [edit]
- The Wailing at AllMovie
- The Wailing at IMDb
- The Wailing at Rotten Tomatoes
- The Wailing at Box Function Mojo
Source: https://en.wikipedia.org/wiki/The_Wailing_(film)
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